Wtf did I just read
NO GINGERBREAD MAN I DEMAND A SEQUAL I MUST DISCOVER HOW HE WILL END THIS PLAGUE AND MYSTERY
(Source: iraffiruse, via indicaviolet)
Wtf did I just read
NO GINGERBREAD MAN I DEMAND A SEQUAL I MUST DISCOVER HOW HE WILL END THIS PLAGUE AND MYSTERY
(Source: iraffiruse, via indicaviolet)
ed: Let’s keep it going for bread! Woo!
I’ve had both of these photos on my blog before, but I need to clarify, whose bread photo is whose. The above photo is by Van Robinson, but does anyone know who made this photo, please??
(via ffffood)
*UPDATE* On sale now, from iam8bit
Does anyone apart from me remember Belle & Sebastian? Not the band, the other one. No, not the kids book either, the other other one. This one.
It was one of what I would like to think was a golden age of crazy European and European/Japanese co-productions that were serialized over many many weeks on kids TV and included Dogtanian and the Three Muskahounds, The Mysterious Cities of Gold, and Around the World with Willy Fog. I suspect that viewing them now would shatter some rose tinted memories, but I remember enjoying all of them along with the aforementioned Belle and Sebastian.
The reason for this long preamble is that when Jon at iam8bit got in touch and asked if I wanted to contribute to his Nickelodeon tribute show (currently showing at their LA gallery) I jumped at the chance without really having a lot of experience of the channel past bits of their original programming which drifted across the pond. Luckily it turned out that they broadcast a bunch of shows that I had watched as a youngun and so, well, you can see the print above.
Printed as ever by Parliament of Feathers and available in an edition of 30 from iam8bit (and a bunch have gone already so dont sleep on them) alongside a bunch more excellent art for the show from the likes of personal faves Jim Mahfood, Amanda Visell and Aled Lewis.
Reflection and Emission Nebulas
— Rho Ophiuchi Cloud ComplexCredit: Gerald Rhemann // Astrostudio
Una bonita toma de las Torres de Satélite y el Periférico en la década de los setenta. Más adelante se encuentra Plaza Satélite. Abajo se distingue el anuncio de la Comercial Mexicana con su clásico pelícano, y a la izquierda hay uno de Fanta.
(via scavengedluxury)
Abkhazia (Babushka “Tanya,” an elderly ethnic Russian woman, heads back to her bombed-out apartment building after walking her dog. Despite the damage, three apartments remain occupied in the building.)
2005
Jonas Bendiksen
(via architectureofdoom)
Strange photography projects in the past, and Lean With It
[by Paul Octavious]
PARRHESIA
[noun]
1. boldness or freedom of speech.
2. a tendency to boldness and frankness of speech; freedom of expression, as in much modern literature.
3. to speak candidly.
4. to ask forgiveness for speaking boldly.
Etymology: the term is borrowed from the Greek παρρησία (πᾶν “all” + ῥῆσις / ῥῆμα “utterance, speech”) meaning literally “to speak everything” and by extension “to speak freely,” “to speak boldly,” or “boldness.” It implies not only freedom of speech, but the obligation to speak the truth for the common good, even at personal risk.